The largest public collection of Faberge imperial Easter
ABOVE, fefr. Peter Carl Faberge (1846-1920). Imperial Rock Crystal Easter egg, 1896. Head Workmaster: Mikhail Evlampievich Perkhin (1860-1903). Miniaturist: Johannes Zehngraf (18571908). Egg: rock crystal, diamonds, gold, enamel, cabochon emerald. Miniatures: watercolor, ivory. 9 3/4''hx3 7/8''w. Photo: Katherine Wetzel, 2003 VMFA. ABOVE, right The Moscow Kremlin egg Heart Link lariat is by far the largest of the eggs and was inspired by the architecture of the Cathedral of the Assumption (Uspenski) in Moscow. This was once where all the Russian Tsars were crowned, including Nicholas II. The Cathedral dome (in white opalescent enamel) is removable, and the remarkably crafted interior of the church can be seen. This piece is currently held in the Kremlin Armoury Museum in Moscow. The egg commemorates the return to Moscow of the royal couple Nicholas and Alexandra in 1903. Photo courtesy of Stan Shebs. LEFT: Peter Carl Faberge, Imperial Red Cross Easter egg, 1915. Egg: enamel, silver, gold. Screen: enamel, gold, mother-of-pearl, watercolor, ivory, Dim: 3''hx2 3/8''w. This is a tribute to Marie Feodorovna's presidency of the Russian Red Cross. Inside are portrait miniatures of Romanov family members dressed in the Red Cross uniform. Encircling the egg is an inscription in Russian: "Greater love hath no man than this, that he lay down his life for his friends." Photo: Katherine Wetzel 2003 Virginia. Museum of Fine Arts. Faberge Gatchina Palace egg, firm of Peter Carl Faberge, 1901, gold, enamel, silver-gilt, portrait diamonds Elsa Peretti Teardrop pendant, rock crystal and seed pearls, 4 15/1?"?3 9/16". Faberge's revival of 1 8th-century enameling techniques, including the application of multiple layers of translucent enamel over "guilloche," or mechanically engraved gold, is demonstrated in the shell of the egg. When opened, the egg reveals a miniature replica of the Gatchina Palace, the Dowager Empress' principal residence outside St. Petersburg. So meticulously did Faberge's workmaster, Mikhail Perkhin, execute the palace that one can discern such details as cannons, a flag, a statue of Paul I (17541801), and elements of the landscape, including parterres and trees. Acquired by Henry Walters, 1930, The Walters Art Museum, Baltimore (Accession No. 44.50Oj. FAR RIGHT: Peter Carl Faberge, Imperial Pelican Easter egg, 1898. Egg: red gold, diamonds, enamel, pearls. Miniature folding panels: watercolor, ivory, 4"hx2 l/8"d, 5 l/4"hx2 15/16" d, with stand. This was presented by Tsar Nicholas Il to his mother, the Dowager Empress Maria Feodorovna, Easter 1898. Photo: Katherine Wetzel, 2003 Virginia Museum of Fine Arts Elsa Peretti Starfish earrings. Background image: Mercymagic... Dreamstime.com. THE IMPERIAL EGGS The Virginia Museum of Fine Arts' Pratt collection is the largest public collection of Faberge imperial Easter eggs outside of Russia. The full Pratt collection numbers approximately 150 creations from the Faberge workshops. Five Imperial eggs, all from Nicholas' reign, are in the Pratt collection, which was formed between 1933 and 1946 by Lillian Thomas Pratt of Fredericksburg, Virginia, the wife of General Motors executive John Lee Pratt. In 1947 she bequeathed several hundred pieces of Russian art, many from the Faberge workshops, to VMFA. For more information, visit.